Nkisi and Working with Doll Babies

A while ago, I purchased a beeswax dollbaby kept him tucked safely away until I felt the need to get him ready to work.  The beeswax is a very good feature as natural materials are always best and full of the most ashe'. Beeswax also gives dolls a special weight and feel, almost flesh-like. Not greasy like synthetic waxes. This doll features a small hole in the bottom, making these dolls very suitable for workings because they are ready to use. I carry similar beeswax dollbabies HERE, if you'd like to develop your own repertoire of workings and power.

Doll babies and poppets are both forms of sympathetic or fetish magic. The gris gris and items you use in, and to dress the doll, would correspond with your goal for the target. By target, I mean the person (or type of person) the doll is to represent. A doll baby is usually solid-made of clay, dough, or wax-and a poppet is cut of cloth, sewn, and filled with gris gris.

One of the historical fetish traditions that correlate with this type of practice is from the Bantu of the Congo Basin and it is called "nkisi" and "nkonde". "Kiti" refers to a spiritual entity in Bantu. They can be made from  animal horns, clay vessels, gourds, ceramic, shells, and bundles of items-a practice our gris gris bags mimic. These statues or dolls are filled clay, hair, blood, and herbs-just as we fill doll babies and poppets with our own gris gris and bodily fluids. And, in the same fashion as doll babies or poppets can be used, they are used to house spirits. The Nkonde are used for protection, and often represent the protection of entire community. These statues feature a cavity in the abdomen and there may be cavities in other places as well. They are also covered with copious amounts of large, square head, iron nails. Each nail driven in repesents a petition, an oath, and/or a promise. When a nail is pounded into the nkisi, it was believed to awaken the spirit. Nkisi can be used for divination, healing, to punish and enemy, to protect and for a multitude of other uses. The tradition of Nkisi (Minkisi is plural) was carried here via the slave trade from Africa to the Americas.

A Nkisi on display at The Musée du Quai Branly.

A nkisi I had the pleasure of experiencing in New Orleans.

I began by retrieving my doll baby, whom I had kept safely in my hoodoo cabinet, near all of my dearest curios. I took extra care to not bump or knock him while working while he was waiting to be awakened. It is not time for him to have a place of his own until he is activated, or filled with ashe'. However I did not want to begin with a marred or damaged doll, as this doll is to represent someone we truly love, care for, and would never want to harm. Should the doll have been made to represent an enemy, I would have have thrown him in a dark drawer and left him until I was ready. I then collected the items I wanted to use to fill the cavity of my doll baby. I covered my work space with a large piece of brown paper, to protect from wax drippings and the grit of iron fillings on my wooden table. I gathered my lodestones, one small, square iron nail, a name paper, my choice of oil (which was my Come To Me Oil), a red candle to seal the cavity, and a few other bits of gris gris.

I inscribed my name paper (any slip of paper bearing a name), using a pen, with the name of the loved one. I then dressed it with my Come To Me Oil, rolled it up into a tiny scroll and sealed it with red wax. I made sure not to roll the scroll too tightly as I want to slip the iron nail down into the middle of the scroll to firmly attach this to the doll. The name paper was then tucked into the cavity of the doll baby.

I then dressed the iron nail with my Come To Me Oil and slipped it into the hole in the middle of the scroll. I  used my pen to push the nail as far into the cavity (and into the doll baby itself) as I could. This is one step in activating the doll baby, as you are firmly nailing the name and spirit of the person, as well as your intent, to the inside of the doll.

The cavity is now partially prepared and will be filled the rest of the way with oil, gris gris, bodily fluid, and my breath.

The cavity is then completely filled and sealed with red wax. Make sure to do this a few times as bubbles will arise from the cavity due to air needing to escape as the wax envelopes the contents of the doll .

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After carefully holding and breathing life into the doll baby, I set to work on creating a resting place for him. The resting place can not be made until the doll is activated and can communicate what it would like in a proper space. This will be saved for a post at a later time. I hope you all consider trying making your own and working with doll babies. Ashe'.

A Binding

I was contacted by my dear cousin a few days back about a concern of hers with the possible threat of harm. Of course, being family, I set to work immediately. Here is the working that followed and the process.

I first began my protecting my space with a hand made Archangel Michael incense. I also evoked Oya as she is the great protector of my home, family, and business. I then took a hand poured, Black Figure Candle and inscribed it with the name of the target. I did not load this candle because loading really imbues the candle with your ashe'-not what I wanted here since this was a binding working. 

The candle was then bound, from toe to head and back down again, with dark blue ribbon. This ribbon had been soaked in my Dark Arts Oil. 

I then poured pure palm oil over the representation. Just as you would bury a charm to protect your home in your yard, or just as you would add sugar to a working to sweeten what you want, I wanted to smother the representation. To cover the target so they keep to themselves and away from my family. A sort of symbolic cacoon or blanket to keep their energy and actions contained. This can also be done with mineral oil or motor oil but I don't recommed motor oil as it is toxic and can not be diposed of by buring or tossing into water.

I then covered the representation in crushed dirt dauber nest to seal the hex and also Guinea pepper to control the target. Dirt daubers ake there hard tunnel-like nests from thick mud. It completely encases them which makes this ingredient appropriate for bindings and hexes. The thick palm oil causes these to stick nicely to the representation.

A close up of the representation, now lit. Hexes followed for the next hour or so.

Double flames are a good sign in my workings and I recieve them often. In this case, I interpret the flame represents the seperation of the target from the circumstance. I also didn't mind the entire front of the representation then falling off and burning...

This is the final pool, which is still burning. The remnants will be taken to a swamp-a "dead" body of water rather than a "living" body of water. Living bodies of water, such as lakes, are typically used to imbue things with lively abundant energy. Rivers, though they are live, are often used to carry things away from you such as old partners or habits due to the fact that they flow away from us. A lake will always bring things back to shore so please take this into conideration when disposing of working remnants. Swamps are stagnant pools of water, few living things thrive in them, which is why I find them appropriate for binding workings. You can be certain that your representation will sink to the bottom and rot. They will NOT be washed back to shore.

Here are other Hexing Oils; D.U.M.E, Bat's Blood and Lost & Away

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